Robust and highly capable primary 4K camera with maximum image quality and flexibility
A flexible, robust and highly capable primary 4K camera for drama, independent film and documentary that is configurable for multiple production workflows including support for HDR monitoring.
Access additional codecs when using the Canon dedicated CODEX Recorder CDX-36150, including up to 4.5K at up to 100fps and 4.5K cinescope up to 120fps. (May require a firmware update. More…)
Supports SMPTE ST.2084 monitoring and ACES 1.0, plus internal ProRes/XF-AVC recording. RAW and ProRes footage is captured externally using the Canon dedicated CODEX Recorder CDX-36150 and other capable third party devices.
Intuitive operation, accurate autofocus, built-in 10-stop ND, plus optional wired or wireless WiFi control.
Extensive lens support includes anamorphic, EF, PL, and B4; modular design with Shoulder Support Unit and EVF.
Stunning internal 4K recording at up to 810Mbits/sec, up to 15 stops of latitude and high frame rates.
Robust construction, power outputs and powerful V-lock battery support, ideal for broadcast and movie industries to endure broadcast and movie production.
DCI (4096 x 2160) resolution
DCI (2048 x 1080) resolution
Capture both highlight and shadow detail without the need to grade
Smooth, continuous AF in Movies
The original Canon Log setting is installed in all cameras in the Cinema EOS range. It achieves a dynamic range of up to 12 stops and delivers excellent results with relatively simple grading
Canon Log 2 increases Dynamic Range up to 15 stops. This curve is highly compatible with well-established Cineon workflows for maximum grading flexibility and particularly adept at maintaining shadow detail.
Canon Log 3 gives an extended Dynamic Range of up to 14 stops and shares the relatively easy grading characteristics of the original Canon Log, while retaining greater highlight detail